ARTICLES | 2009
For Gods or men? A reappraisal of the function of European Bronze Age shields
Antiquity 83, No. 322 (December 2009): 1052–1064.
Are the imposing, decorated copper-alloy shields of Bronze Age Europe symbolic objects or functioning weapons? The author undertakes new analysis and experiments to conclude that whether bronze, leather or wood, all shields had a range of purpose in which the ceremonial and homicidal could rarely be completely isolated.Helis and the adjacent region during the Mycenaean period (in Greek)
In Η. Αndreou & Ι. Αndreou-Psychogiou (eds), 2009. Ήλις, παρελθόν, παρόν και μέλλον. Πρακτικά εκδήλωσης προς τιμήν Ν. Γιαλούρη (Ήλις, 13 Αυγούστου 2006) (Pyrgos): 21-36.
The author examines the region of Helis (Peloponnese) during the Mycenaean period. Most of the article focuses on the Mycenaean cemetery at Agia Triada, where 50 chamber tombs have been found (40 at the site Agiannis and 10 at the site Spilies). Many colour photographs of the finds from the tombs are also included.Burial pithoi of a Geometric cemetery at the site of Trapeza in Aegium (in Greek)
Annuario della Scuola Archeologica Italiana di Atene 2007 [2009]: 11-32.
Twelve funerary pithoi were excavated on the site of Trapeza, near Aegium, in Achaea. Pottery, bronze and iron jewellery as well as iron weapons were identified amongst the funerary gifts. The typological analysis of the grave offerings leads to the chronology of the pithoi from the latest years of the Protogeometric down to the Late Geometric period.
I sigilli del “Gruppo del suonatore di lira” dalla stipe dell’Athenaion di Jalysos (Lyre-Player Group seals from the repository of the Athenaion of Ialysos)
Annuario della Scuola Archeologica Italiana di Atene 2007 [2009]: 33-82.
The repository of the sanctuary of Athana Ialysia at Rhodes, excavated between 1923 and 1926, yielded more than 6300 pieces and is thus the most important on the island. The offerings date from the middle of the eighth to the end of the fourth century BC. Among these materials is an especially interesting group of seals of the Lyre-Player Group, comprising all of 27 specimens.La ceramica fine del MM IIA di Festòs (The ceramic phase of MM IIA at Phaistos)
Annuario della Scuola Archeologica Italiana di Atene 2007 [2009]: 303-330.
The aim of this article is the presentation of the MM IIA ceramic phase of Protopalatial Phaistos. Since 1994, V. La Rosa and F. Carinci have been directing a new programme of excavations and revision of 1950-1966 Levi’s work at Phaistos, with support from the Italian Archaeological School in AthensIklaina archaeological project 2009 season. Internet report
Online article
The third excavation season of the Iklaina project took place for six weeks from May 29 to July 8, 2009. The project was conducted under the auspices of the Athens Archaeological Society and funded by the Hellenic Government-Karakas Foundation Chair in Greek Studies of the University of Missouri-St. Louis, the Institute for Aegean Prehistory, the National Endowment for the Humanities, and the Loeb Classical Library Foundation.Warfare in Neolithic Thessaly: A case study
Hesperia 78 (2009): 165-194.
Cross-cultural archaeological and ethnographic evidence for warfare in farming societies invites us to reconsider the traditional picture of the Greek Neolithic (ca. 7000-3400 B.C.) as a period of peaceful coexistence among subsistence farmers. Archaeological correlates of intercommunal conflict in the prehistoric American Southwest and the widespread evidence for warfare in Neolithic Europe suggest that warfare is also likely to have taken place in Neolithic Greece. The well-known Neolithic record for Thessaly reveals evidence for warfare in defensive structures, weapons, and settlement patterns.New reconstructions of the “Mykenaia” and a seated woman from Mycenae
American Journal of Archaeology 113 (2009): 309-338.
Abstract
This study presents evidence for reconstructing two frescoes, including the well-known “Mykenaia”, found at the Southwest Building at Mycenae. It argues that the “Mykenaia” did not depict a seated goddess facing right but a life-sized, standing woman striding to the left and that the other fresco portrays a half-life-sized enthroned woman, likely a goddess, facing right and holding a