Think of a souvenir from a foreign trip, or an heirloom passed down the generations--objects allow us to think and act beyond the proximate, across both space and time.
This study investigates the double axe as a tool in Crete during the Minoan period. Previous scholars have attributed the double axe to the equipment of a woodworker, a carpenter, a stonemason and a butcher. The working activities performed by the different users plausibly would have left various kinds of use-wear on the axe, but this has not been studied until now.
The seismicity in Greece and in the adjacent regions is the highest in the Western Eurasia. One of the most active seismotectonic structures in that region is the Hellenic Arc and Trench (H-AT) system. The island of Crete occupies the central segment of H-AT just to the north of the front where the lithospheric plates of Africa and Eurasia converge and the former bends and subducts beneath the later.
Edited by Elisabetta Borgna & Sylvie Müller Celka Lyon2011
This volume provides a comprehensive study of the burial mound phenomenon which emerged in large parts of Europe during the Copper and Bronze Ages, with a major focus on the Mediterranean and eastern European regions.
Minoan seals have often been described as problematically ambiguous. By assembling and reframing current discourse, this volume challenges the value of characterising glyptic imagery in this way. Instead ambiguity may indicate the presence of deliberate practice, incorporating varied meanings through multivalent or condensed expression, well suited to the compact size of the glyptic medium.
Edited by Athanasia Kanta & Costis DavarasΗράκλειο2011
Το 2009 και ενώ στα πλαίσια της περάτωσης της μουσειολογικής μελέτης του Αρχαιολογικού Μουσείου Ηρακλείου επανεξετάζονταν γνωστά σύνολα ευρημάτων Μινωικών και Ελληνικών χρόνων για την ολοκλήρωση της επιλογής αντικειμένων κατάλληλων για την επανέκθεση, το προεδρείο και τα μέλη του Συλλόγου Ενεργών Πολιτών Αρκαλοχωρίου, με επίσκεψη του στην αν. προϊσταμένη του Μουσείου Ηρακλείου, πρότεινε τη χρηματοδότηση της έρευνας, καταγραφής και συντήρησης του υλικού των σπηλαίων Αρκαλοχωρίου και Ειλειθυίας στον Τσούτσουρο για την ανάδειξη του αρχαιολογικού πλούτου της περιοχής.
The present volume provides a much needed contribution to island archaeology by examining the characteristics of the initial occupation of the Mediterranean islands. It enhances our understanding of the mechanisms, strategies, cultural contingencies and social alliances that enabled the consolidation of a permanent human presence in these settings.
The sensational discovery in the early twentieth century of the prehistoric civilisation of Crete, named Minoan after the mythical king Minos, and the contemporary birth of Modern Art in Europe has led many scholars to discern analogies between Minoan art and Art Nouveau.
H ανασκαφή των Μυκηνών του 1876 από τον Ερρίκο Schliemann είναι η πλέον γνωστή και διάσημη του 19ου αιώνα στην Ελλάδα. Eξ αρχής θεωρήθηκε, δικαίως, πολύ σημαντική και πραγματικά υπήρξε η αρχή της δημιουργίας ενός κλάδου της αρχαιολογικής επιστήμης, της μελέτης του έως τότε άγνωστου μυκηναϊκού πολιτισμού.
Wim M. J. van Binsbergen & Fred C. WoudhuizenOxford2011
This book on ethnicity in Mediterranean protohistory may well be regarded as the main and final result of the project on the ethnicity of the Sea Peoples as set up by Wim van Binsbergen as academic supervisor and worked out by Fred Woudhuizen who, in the process, earned himself a PhD from the Erasmus University Rotterdam (2006). The book is divided into four parts: I) Ethnicity in Mediterranean proto-history: explorations in theory and method: With extensive discussions of the Homeric catalogue of ships, the Biblical Table of Nations, and the Sea Peoples of the Late Bronze Age, against the background of a long-range comparative framework; II) The ethnicity of the Sea Peoples: an historical, archaeological and linguistic study; III) The ethnicity of the Sea Peoples: A second opinion; IV) The ethnicity of the Sea Peoples: Towards a synthesis, and in anticipation of criticism.
Edited by Adamantios Sampson Philadelphia, Pennsylvania2011
The archaeological material presented in the first volume has demonstrated the importance of the Cave of the Cyclops, which unquestionably constitutes a byword in the prehistory of the Aegean. The information set out in the second volume mainly comes from the archaeological material, organic residues, and the archaeornetric studies that complete the image of this significant archaeological site.
Durant la dernière phase de l’Âge du Bronze (XVIe-XIe s. av. J.-C.), la civilisation mycénienne voit le jour et s’épanouit en Grèce continentale. Alors que la découverte des tombes à fosse de Mycènes et des tombes à tholos de Messénie a attiré l’attention sur le Péloponnèse, la Grèce centrale se révèle également sensible aux changements culturels qui se sont produits dès la fin de l’Helladique Moyen. Bien que le mode de vie ne paraisse pas s’être modifié radicalement dans les habitats examinés, les sépultures témoignent de changements culturels profonds, comme le suggèrent les inhumations successives de plus en plus souvent attestées.
Edited by Y. Duhoux & A. Morpurgo Davies Louvain-la-Neuve2011
Linear B is the earliest form of writing used for Greek. The tablets written in this script offer crucial information about the Mycenaean Greeks and their time. This Companion aims at not only summarizing the results of current research but also trying to explain the problems which arise from the study of the texts and the methods which can be used to solve them.
Recent excavations in the region of Achaea in the northern Peloponnese (Greece) have brought to light new evidence on the Thapsos-class of vases. Their identification amongst the grave goods as well as the dedications in the two important sanctuary sites of the area provide a starting point for reassessing the question of this particular ware’s identity and its main production centre.
This book is a study of the woman-and-child motif – known as thekourotrophos – as it appeared in the Bronze Age eastern Mediterranean.Stephanie Lynn Budin argues that, contrary to many current beliefs,the image was not a universal symbol of maternity or a depiction of amother goddess.